One hundred years ago the beautiful Basilica of Mount Tabor was erected on this mountain, on the remains of earlier buildings, which can still be seen in the crypt and basement. Planning began in 1911, by Giulio Barluzzi, and was then resumed in 1919 by his brother Anthony, who was entrusted with the construction of the work, which lasted, in total, from 1921 to 1924.
Barluzzi chose to build a church that would recall the Romanesque-Syrian style, placed between the fourth and seventh centuries. Notable among its exterior features are two massive towers on the facade connected by an arch in the Byzantine style. Inside, the church is divided by pillars into three naves of which the central one ends in a semicircular apse, featuring a gilded mosaic depicting the Transfiguration: Christ in the Center is placed between the prophets Moses and Elijah, with down below Peter, James and John.
Barluzzi's Symbolism continues to speak in the other elements built into the Basilica. On the steps down to the open crypt, mosaics can be seen that elaborate on the theme of transfiguration-Jesus experienced "several transfigurations" throughout his life. From his birth on earth to the institution of the Eucharist, to his sacrifice on the cross and his resurrection, all these events are therefore rendered in the figures chosen by Barluzzi.
There are two chapels in the Towers: one dedicated to the prophet Elijah and the other to Moses.
And to commemorate the 100th anniversary of the Basilica of the Transfiguration, once again we went up Mt. Together with us Br. Massimo Fusarelli, Minister General of the Order of Friars Minor, who is visiting the Holy Land from April 15 to 20.
Holy Mass was celebrated in the crypt with the participation of Franciscan communities from the Galilee region. A Moment also to remember, as the Minister General highlighted in his homily, St. Francis' connection with the main element of the Basilica: light. In his spiritual journey of conversion, the Poverello of Assisi experienced this polarity: the light of the Lord was making its way into him but he still felt the weight of his darkness, sins, such as that of "being turned only to himself."
Br MASSIMO FUSARELLI, ofm
Minister General of the Order of Friars Minor
I liked to recall Francis' experience right here in this Basilica, which is filled with light, whose 100th anniversary we remember now. And pausing here in prayer I have the experience especially with young people. Arriving here on foot from the plain and going up you come here with fatigue, with sweat, but also with all the inner travail of the pilgrim who brings his life and his darkness here. My darkness here finds itself immersed in a reality of light that is the reality of God's holiness. Here, I hope it may help those who may come here or those who may also avail themselves of this remembrance through social media, to feel in themselves this alternation of light and darkness and to be reached by the light that is the Gospel of Jesus.
After the Holy Mass in the side part of the Basilica, an exhibition entitled: "LUXTENEBRA" was inaugurated. Br. Ricardo, Guardian of the Convent, highlighted how the Committee that was created for the Jubilee of the three Basilicas - Tabor, Gethsemane and the Church of Jericho - wanted to capture the most significant moments of Franciscan history in these three places, whose constructions were entrusted to architect Antonio Barluzzi.
Br RICARDO MARIA BUSTOS, ofm
Guardian Convent of Mount Tabor
What we are presenting today will be done in Jerusalem, at Gethsemane. It is a mini-exhibition, that is, a general presentation of the basilicas: their geography, history and architecture, but also the artistic heritage that the basilicas of Gethsemane and Tabor that represent
Regarding the title of the exhibition, LUXTENEBRA, the committee wanted to present the centrality of the biblical narrative: The Passion of Jesus, from which Moses and Elijah are the witnesses, and then the light of the transfiguration in which the Lord is manifested as God.
Br RICARDO MARIA BUSTOS, ofm
Guardian Convent of Mount Tabor
The first source is the Gospel source and that we celebrate every day. The pilgrim groups who come to the Holy Land and have the grace to celebrate the Eucharist there celebrate the Mass of the Transfiguration of the Lord. A special celebration that we will experience on August 6, a day that will also be the conclusion of the jubilee year.
A light imprinted in the memory of the Apostles who before going to Jerusalem and seeing Jesus die of the cross were strengthened in their faith. Thus admiring the brightness of the Son of God they had the strength not to succumb in the shadows of death.
Br FRANCESCO PATTON, ofm
Custos of the Holy Land
So also in our lives the Lord gives us moments of light, sometimes in moments of prayer, sometimes in listening to a page of the Gospel, sometimes in a moment of worship. We are to cherish these moments because we will need them precisely when moments of darkness, of inner difficulties, difficulties related to the suffering experiences of death, come. Like the one we are experiencing here in this time of political instability, war, death. We need the light that Easter gives us and the light that the Transfiguration gives us as a foretaste of Easter.
The Christmas Message of the Custos of the Holy Land, Brother Francesco Patton; the prayer for peace in Rome; the new book on the history of the origins of Christianity and finally the Jewish feast of Hannukah.
On 11 December, Piazza Santa Maria in Trastevere in Rome was lit with candles of Faith and Hope during a prayer dedicated to world peace. The prayer was presided over by Cardinal Matteo Zuppi, President of the Italian Bishops' Conference, together with the Vicar of the Custody of the Holy Land, Brother Ibrahim Faltas.
On 13 December, Dar Al-Kalima University, in cooperation with the Pontifical Mission, organised a conference at the Dar Al-Kalima University Theatre in Bethlehem to present the book ‘Palestine, Cradle of Christianity: An Introduction to the History of the Origins of Christianity from the First to the Seventh Century’.